O OUTRO QUE VAI FALAR SOU EU
sim, ele e eu somos um
entanto somos três
na realidade, eu sou trezentos
La Otra Que Va A Hablar Soy Yo
soy mujer mientras soy hombre,
león, mono, búho, bestiario
soy pájaro de cuatrocientas voces
The other who's going to speak am I
who made this poor translation?
it unhinges
where it should most tightly seal
but this is just enough
to let a little light in
and a little air in
through the cracks
Monday, April 26, 2010
Wednesday, April 21, 2010
Texcoco
Texcoco, second city of the Aztec Triple Alliance, was a fabled center of learning and law. The city where renowned tlatoanis Nezahualcoyotl and his son Nezahualpilli reigned still exists in modern Mexico state, but it was pre-conquest and colonial Texcoco that formed the focus at the symposium last weekend at the University of North Texas, which convened international scholars of several disciplines (history, art history, literature, anthropology).
I had the good fortune to attend and serve as a session moderator. Scholarly interpretations did not always agree, but a climate of mutual respect prevailed. Among many interesting facts and interpretations that I learned, I summarize a few here, without giving the names of the presenters who illuminated me (to protect the innocent, although I am willing to provide them to a courteous inquirer):
The symposium's interdisciplinary composition tied to its specific focus proved to be very successful, and plans for an edited volume and follow-up symposium are in the works.
The highest hill in Texcoco was dedicated to Tlaloc, a water and earth god and one of the oldest deities in Mesoamerica.
Although commonly thought to be a Mesoamerican Athens (to Tenochtitlan's Sparta), Texcoco may have been thoroughly dominated by Tenochtitlan through Nezahualcoyotl and his descendants. The city may have held a position as weak as that of Tlacopan, third member of the Triple Alliance, with this latter concept introduced post-conquest in an attempt to portray Texcoco as a tribute center.
Nezahualcoyotl's environmental and public works projects can allow him to be considered an enlightened precursor of today's "sustainability."
The spatial layout of "ministries" (or their equivalent) in Nezahualcoyotl's palace conforms to that of the buildings in Teotihuacan. A generalized scheme based on this matching overlay and pertaining to the cardinal directions posits the following associations:
east - red - spring - earth - Tlaloc - government
south - yellow - winter - fire - Tezcatlipoca - armed forces
west - sky blue - autumn - air - Quetzalcoatl - commerce
north - dark blue - summer - water - Chalchiutlicue - religion
Nezahualcoyotl's park at Tezcotzinco probably included a life-size relief sculpture of him in the hillside, similar to the one of Moctezuma in Chapultepec.
Discussion related to Texcocan geneaology centered on interpreting Fernando de Alva Ixtilxochitl's accounts of his ancestors. As early as the seventeenth century, Carlos de Sigüenza y Góngora had alerted his readers to Alva Ixtilxochitl's tendency to exaggerate. In his writings, Alva Ixtilxochitl portrayed both his ancestors Nezahualcoyotl and Nezahualpilli as "nigrománticos" or man-gods with supernatural powers. His younger brother Bartolomé was also a writer, who produced a Confesionario and three Nahuatl translations of Spanish Golden Age plays. Another descendant of the Texcocan tlatoanis, don Antonio Pimentel Tlahuitoltzin, was active in reasserting Texcocan royal authority. His position became one of dropping pre-conquest religion while maintaining pre-conquest politics. An elaborate family tree illustration of Nezahualcoyotl's descendants, c. 1750 in a Berlin museum, was used in at least one litigation regarding the recovery of land.
The Universidad Autónoma de Zacatecas hosts a summer Nahuatl-language program in conjunction with Yale University. The intensive program includes six weeks of two-hour-a-day instruction in classical Nahuatl, two hours in modern Nahuatl, and a one-hour tutorial session. The optional seventh week includes a trip to the Huasteca region of northern Veracruz.
The symposium's interdisciplinary composition tied to its specific focus proved to be very successful, and plans for an edited volume and follow-up symposium are in the works.
Labels:
deities,
in English,
Mexico
Monday, April 5, 2010
metro recuerdos
un rayo anaranjado
de íconos articulados
me lleva disparado como del cañón del mercado Balderas
voy saludando a Hidalgo, Juárez, Allende
y emerjo a la hundida inclinación de Bellas Artes
para después rodar hasta la Barranca del Muerto
de íconos articulados
me lleva disparado como del cañón del mercado Balderas
voy saludando a Hidalgo, Juárez, Allende
y emerjo a la hundida inclinación de Bellas Artes
para después rodar hasta la Barranca del Muerto
medio metro de estatura
ellos me llevan
el metro completo de melanina
y el metro nos lleva a todos
por los escombros inundados de Tenochtitlan
¿cuál es la salida de Chapultepec que me dirige
a los pies de los Niños Héroes?
¿cuánto por el llaverito con el emblema del Zócalo?
y de todas formas y de cualquier manera
las combis son interminables y unánimes
y uno mal cabe, pues
de piernas dobladas en Chapultepec
nauseabundo entre Indios Verdes
pago el precio justo
más que la colegiatura de la UNAM
y tengo la certeza de que la conquista
fue y sigue siendo
una alucinación española
al pasar por el pedestal
sumergido pero iluminado
de Pino Suárez
las combis son interminables y unánimes
y uno mal cabe, pues
de piernas dobladas en Chapultepec
nauseabundo entre Indios Verdes
pago el precio justo
más que la colegiatura de la UNAM
y tengo la certeza de que la conquista
fue y sigue siendo
una alucinación española
al pasar por el pedestal
sumergido pero iluminado
de Pino Suárez
recuerdo los metro recuerdos ¿y tú?
Labels:
en español,
iconography,
Mexico,
poetry
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